About Bellowcast

One studio, one desk, one address: 4394 Sw 131 Ave.

Bellowcast makes podcasts for companies whose customers take months to decide. Here is who is behind the fader, and the rules we work by.

Book a scoping call or ring (954) 931-0746

Shows we makeSoftware, law and accounting, manufacturing, healthcare and commercial real-estate teams. Weekdays 8:30am–5:30pm.

Paper collage of headphones on a small mixing desk with hand-drawn sound waves
Collage of a ribbon microphone beside handwritten episode run-sheets
The run-sheet comes first. The microphone comes second.

Why the studio exists

A podcast is a slow medium, and it suits slow buyers

Bellowcast began with a complaint we kept hearing from marketing teams: the company podcast launched with eight good episodes, then quietly stopped. The recordings were fine. What failed was the editing queue, the show notes nobody had time to write, and the feed nobody remembered to publish to.

So we built the studio around the unglamorous half of the job. Recording, multitrack editing, sound design, show notes and publishing sit in one room in Davie, handled by the same small team from the first mic check to the scheduled release.

We bill the way the work actually runs: a flat fee per season launch, or per batch of episodes, written down before anything is recorded. The show becomes a line item your finance team can forecast, not an open tab.

What is on the desk

The signal chain, itemised

The same chain, every episode. Consistency is the quiet quality listeners notice by episode ten.

  • Capture

    Every voice on its own track, local or remote, so a cough never ruins two people’s answers.

  • Edit

    Breaths, false starts and tangents trimmed by ear. A silence filter can’t tell a pause from a mistake.

  • Finish

    Theme, stings and room tone, then a loudness pass to −16 LUFS, checked on car speakers and cheap earbuds.

  • Hand-off

    Masters, raw multitracks, transcript and RSS feed. Yours from the first invoice.

House rules

Six things we will not do to your show

Principles are cheap until they cost something. These are the ones that have cost us a few shortcuts.

Run a silence filter and call it editing

Every cut is made by a person listening with headphones on.

Bill by the hour

The fee is itemised before recording and stays that number.

Put words in your guests’ mouths

We trim for clarity and length. We never rearrange what someone meant.

Keep the feed hostage

The RSS feed and the raw tracks belong to you, always.

Bury the jargon in the audio

If a listener outside your industry can’t follow a sentence, we flag it before it ships.

Miss the five-day cut

First cuts return five business days after each recording, or we tell you why on day three.

A week at the studio

Weekdays, 8:30 to 5:30

  1. Monday

    Run-sheets and prep

    Guest prep sheets go out and the week’s sessions are checked for levels and links.

  2. Tuesday – Wednesday

    Recording sessions

    Remote and in-person sessions, cued and monitored live by an engineer.

  3. Thursday

    Edit and sound design

    Multitrack edits, theme and stings, loudness pass.

  4. Friday

    Delivery and publishing

    First cuts sent, revisions logged, scheduled releases queued.

Collage of a weekly calendar beside a mixing desk and tape reel

Next step

Thirty minutes on the phone, a written fee within two business days

Tell us who the show is for and who you’d like to invite. We’ll come back with a plan and an itemised flat fee.

Book a scoping call

Or ring (954) 931-0746, weekdays 8:30am–5:30pm.

Prices for the pilot reel, batches and season launches are on the services page.

Call the studio Send a brief